Studio Kader is an independent project studio for art and design founded by Carolina Aboarrage and Lot Meijers. Within Studio Kader, Carolina specializes in graphic design, while Lot's focus is on project management. They also offer combined services, simplifying things for clients.
One branch of Kaders expertise lies in crafting identities, publications, motion graphics, websites, and exhibition identities, with an eye for vibrant color combinations, layered aesthetics and distinctive typography.
The other branch offers professional project management, including exhibition production and commission supervision, primarily serving clients in the cultural sector. Kader has a wealth of experience in handling intricate projects both locally and internationally.
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WDE 2024
- We're happy to be working with Dutch Design Foundation for another year to realise the World Design Embassies' exhibition.
- Land Art Lives
- Organising and managing the program of an international conference Land Art Lives: On the Future of Land Art, by M. & Land Art Flevoland. April-October 2024.
- roda - soft water on hard stone is an artist residency programme that will take place in Copenhagen, Rio de Janeiro, and Lagos. Studio Kader is currently designing the visual identity and website.
Sounds of the Future
- Sounds of the Future is a residency programme for experimental music based in Denmark, with a focus on contemporary music and sound art. The visual identity and logo were designed by Studio Kader.
- The Sounds of the Future project, supported by the cultural development fund of central Jutland and organised by Sound Art Lab and SPOR Festival in Aarhus, aims to support and develop the sound art environment in the region by promoting collaborations and connections between various local cultural actors and offering a range of activities such as artist residencies, debates, workshops and performances on international platforms.
- The visual identity for Sounds of the Future is inspired by the Chladni Plate, a device that visualises sound vibration patterns by distributing particles across a surface. This reference visually embodies the intersection of sound and form, graphically representing the essence of experimental music. The aesthetic of the Chladni plate is translated into the design through the application of geometric and abstract patterns