Studio Kader is an independent project studio for art and design founded by Carolina Aboarrage and Lot Meijers. Within Studio Kader, Carolina specializes in graphic design, while Lot's focus is on project management. They also offer combined services, simplifying things for clients.
One branch of Kaders expertise lies in crafting identities, publications, motion graphics, websites, and exhibition identities, with an eye for vibrant color combinations, layered aesthetics and distinctive typography.
The other branch offers professional project management, including exhibition production and commission supervision, primarily serving clients in the cultural sector. Kader has a wealth of experience in handling intricate projects both locally and internationally.
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TextielLab 2025
- We’re excited to be working on the signage design and concept for the TextielLab, part of the Textile Museum in Tilburg.
- We are currently working on the visual identity for the Danielian Gallery in São Paulo and Rio de Janeiro.
- roda - soft water on hard stone is an artist residency programme. Studio Kader is currently designing the visual identity and website.
Masterplan / Land Art Flevoland
- Studio Kader is managing the project Masterplan / Land Art Flevoland in collaboration with Martine van Kampen, Land Art Flevoland.
- During the building of the Flevoland polder, the engineers and planners decided to mark the occasion through the realisation of a number of large-scale art works, situated on several locations. They opted for an art form that spoke to their imagination: Land Art. An art form popular in the United States in the seventies and introduced in the Netherlands through exhibitions such as Op Losse Schroeven (1969) in the Stedelijk Museum Amsterdam and Sonsbeek Buiten de Perken (1971) in Arnhem.
- The result is a collection of nine Land Art works by world-famous artists such as Robert Morris, Richard Serra and Daniel Libeskind.
- Now, 40 years after the first works were realised, we are working on the execution of the Masterplan Land Art Flevoland, in which we give an upgrade to some and impulse to all of the Land Art works in the collection. Next to managing the restoration of some of these works, we are also organise interviews with all of the artists of the collection. The work largely concerns land art as heritage and its preservation, but also involves activating the works by, for example, improving seating areas next to the works or publishing a magazine about the collection